Got My Book Today...

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Lasonic TRC-920

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YEAH, got my book today!
[ Image ]


Well, I have finished reading this GREAT book. What a true history lesson. I am very aware of the boombox movement in New York and the Hip Hop scene but to hear it in such detail from people who lived it was just great. Plus all the photographs just made the whole 80's scene come to life.

On the West Coast we may have listened to different music, wore different clothes, and didn't live in an inner city like New York, but the huddling around the guy with the radio was exactly as described in the book.

I give it a 10+ :yes:
 

jaetee

Member (SA)
Hey JT, you might remember this better than me, but didn't Lyle say his camera was a 60 megapixel camera?

Was just reviewing this thread, which I have been avoiding until I finally got my copy. I had to hold out as my wife asked me (for my son) what I wanted for my birthday present. I forwarded her the link 2months early. :w00t:. Well, since I was early, they were a bit early and I got to open my present before my B-day (which is tomorrow).... Point being, I just saw this question, Bobby. You were right about the 60mp camera. :-D Lyle was using a $40,000+ 60MP medium format camera. I believe it was this one here: http://www.luminous-landscape.com/reviews/cameras/phase645.shtml

I also must say that Spike Lee's forward left me scratching my head and wondering why sincere efforts were not made to get some comments from someone a little more boombox-positive, like maybe LL Cool J, Grandmaster Flash, Kurtis Blow or one of the members of RUN DMC instead. Spike Lee just comes across as a real prick with no love for fun at all and having to buck the system or create controversy at every opportunity. What a jackwagon.

While I can see why some of you feel like the pics are a bit overworked, you cannot deny that they look great. I kind of like Lyle's sytlistic fingerprint. And I love the period images that are included. I've been going through the book and found 6 of my boxes in there. Good to see Lyle fixed the LCD clock readout on my M9990 for me (via photoshop) :lol: :lol:

And if you go through the "thank yous" at the end, it's nice to see all of us who were at the meet mentioned!
 

Lasonic TRC-920

Moderator
I also must say that Spike Lee's forward left me scratching my head and wondering why sincere efforts were not made to get some comments from someone a little more boombox-positive, like maybe LL Cool J, Grandmaster Flash, Kurtis Blow or one of the members of RUN DMC instead. Spike Lee just comes across as a real prick with no love for fun at all and having to buck the system or create controversy at every opportunity. What a jackwagon.

I do have to say, I found Lee's forward a little odd as well. First he mention's he's never even had a radio????? Plus It did seem a bit out of place to have to make the "Racist" reference yet again and if he's trying to make a link between himself, NY and him having "Street Cred" why is he talking about driving through "Martha's Vineyard" blasting his car stereo?

I think there could have been a better choice for the forward.....Like IRA :w00t:
 

jaetee

Member (SA)
First he mention's he's never even had a radio????? Plus It did seem a bit out of place to have to make the "Racist" reference yet again and if he's trying to make a link between himself, NY and him having "Street Cred" why is he talking about driving through "Martha's Vineyard" blasting his car stereo?

Right....! How the hell does Martha's Vinyard even get a freakin' mention in a boombox related book????

I just read his foreword again, and it actually reveals quite a bit about Spike Lee.

He mentions:

1) he didn't have one because the were heavy. C'mon, man.. they're not THAT heavy! Nobody said you have to go out and buy a freakin' M90.
2) batteries expensive and he didn't have stock in Duracell or Eveready - Yea, like the stock market is really on your mind at 15 years old.
3) and you had to be strong-willed to impose your musical will, and be prepared to fight if someone told you to turn it down - I think this is probably 90% of the reason he never had one.

Well, now he's mega-rich and instead of a portable radio, he has a vehicular portable boombox (in the form of a Yankee-pinstriped Mustang convertible) and can blast Public Enemy driving around up there, where he knows nobody will do anything about it he won't get his ass kicked.

Looks like you can take Spike out of of the ghetto, but to some degree you just can't take the ghetto out of him. :lol:
 

Lasonic TRC-920

Moderator
Looks like you can take Spike out of of the ghetto, but to some degree you just can't take the ghetto out of him. :lol:

Yeah, that's what he wants you to think, while he's driving around all those rich folks blasting "Fight the Power". I'm sure he's pissing people off, but they probably don't even know who he is or what that means.

CHUUUUUUUMPP! :thumbsdown:
 

JLF

Member (SA)
I noticed a comment about this being a 'NY' scene book.

I agree, and thought; how cool to have an 'L.A.' based version as well? For a second edition.

Of course it would take someone who lived through it, and the hip hop scene back in the day.

In my experience, BBX were a valuable 'Skate or BMX' tool. Set up a box next to some ramps or a pool and shred.

Punk was the music of choice.
 

Lasonic TRC-920

Moderator
I noticed a comment about this being a 'NY' scene book.

I agree, and thought; how cool to have an 'L.A.' based version as well? For a second edition.

Of course it would take someone who lived through it, and the hip hop scene back in the day.

In my experience, BBX were a valuable 'Skate or BMX' tool. Set up a box next to some ramps or a pool and shred.

Punk was the music of choice.

I always figured that the REAL boombox scene was in NY or other large cities, but like you, on the West Coast we used them and loved them like every where else. The Euro scene really blew my mind too. This book really shows how boomboxes brought people together where ever they were sold.

I was your basic hoodlum. west coast, under aged beer drinking, pot smoking, school ditching curb dweller who enjoyed his youth skate boarding and BMX riding with a radio providing the back drop.

Now I'm your basic 40 something, kids grown, legal beer drinking, rocker enjoying boomboxes and the people who also enjoy them and remember the days when these monsters were new and ruled the street.

Yep, makes me want to load up some fresh batteries and sit on a street corner and do some 360's on my Tony Hawk!
 

Lasonic TRC-920

Moderator
Thats rad! :thumbsup:

Id join you doing some freestyle on my BMX.

Oh I suck at that! :lol: ;-)

I was always the dude with the so so bike, but always had the radio and tapes with him. So I was cool. :thumbsup: :lol: :-)
 

JLF

Member (SA)
Ok, well if its confession time, I only had my G&S deck for the chicks. I couldnt skate more than in a straight line on a flat surface!
:-D
BMX was definitely my thing though!
 

devol-toni

Member (SA)
Got my book before a week. :thumbsup:
Lyle, man, gooooood job you've done. :yes:

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jaetee

Member (SA)
Okay, this thread needs to keep movin' :-D

Regarding that $40,000, 60MP camera... I found my pics showing it from behind, doing it's thing with Frank's Crown....

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And a couple more of two of my boxes that made their way into the book as well...

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Gluecifer

Member (SA)
The thing I really, realllly love the most about the book is how it has tied so many of us together in history forever!

I love seeing the familiar names of artists I've adored and then seeing the names of many friends separated by many oceans.

It's something I marvel at everytime I open it up.



Rock On.
 

Fatdog

Well-Known Member
Staff member
The thing I really, realllly love the most about the book is how it has tied so many of us together in history forever!

I love seeing the familiar names of artists I've adored and then seeing the names of many friends separated by many oceans.

It's something I marvel at everytime I open it up.

Rock On.
I agree, Rick. The first time I got to the last page with all the "thank yous" and saw the list of Boomboxery members there, I felt proud for all of us that we were a part of boombox history. Also, to read the personal stories from you and James was a real treat. You have been immortalized in black and white. :-)
 

hemiguy2006

Member (SA)
Ill have to say i am still tickled to have been a part of the book along with many other great members on here.
And to have actually met and hung out with Lyle was a great privilege as well.
Hey John that is a great pic of my dad's Sanyo. he bought that brand new so you can say you are the proud second owner
of it.
Glad you ended up with it.
 

71spud

Member (SA)
Spike Lee is a miserable bitch nuff said!

Exactly..... Spike Lee or not if it were my book and he wrote that forward I would roll it up and tell him to shove it. There has to be someone else who could have done this book forward justice... :sadno:
 

ViennaSound

Boomus Fidelis
Got today my book. :thumbsup:

btw: got it not!
Only allowed to look inside for 2minutes. :blush:
Then my parents took it away.
Will come back for christmas. :-D
 

Lasonic TRC-920

Moderator
Got today my book. :thumbsup:

btw: got it not!
Only allowed to look inside for 2minutes. :blush:
Then my parents took it away.
Will come back for christmas. :-D


Oh Man, that has to be tough. Knowing how great it is, knowing that that when you get your hands on it you will be so happy....Oh I'm just making it worse aren't I :lol: :lol: :lol: :-P :-P :-P :yes: :yes: :yes:
 

Gluecifer

Member (SA)
Been meaning to post this for a while and forgot every time. This was my original submission for the book. It got heavily edited, but the fact anything of it made it in there makes me a very happy man:

For a kid growing up in a coastal town in Australia in the late 70s and early 80s the breakdancing and ghettoblaster culture from the U.S seemed like eons away.

From seeing this urban culture for the first time I was captivated. Even from a very young age pop music had a big effect on me, and when I first saw a kid carrying a big portable stereo blasting Sugarhill Gang I thought this, and this generation, was going to be important and different to anything before.

I was young and impressionable though and it was no easy task to try and live this kind of musical lifestyle in my little town. The wave of this new street culture was peaking however and the worldwide rap/breakdance phenomenon was already washing into the bigger cities of Australia. All of a sudden it was a part of the usual 'talent quest' style shows to have skinny kids in track suits poppin' and lockin' to the awe of the studio audience. This wasn't me though, I was the fat kid in the school with the unathletic disposition and beyond introducing the moonwalk to my primary school class, this was as far as I would indulge in that side of the culture.

It was the music that was the spark for me. This incredible new sound. Unlike anything I'd heard previously, it just blew my mind and this part of the culture became my passion. For the first time the machine playing the music was in a perfect symbiotic relationship with the music itself. A big radio for even bigger beats. The power of the music with the power of it being broadcast. On a personal level this concept was the real essence of what appealed to me.

The idea of the ghettoblaster was something I wanted to be a part of. It struck every chord in me about what music and experiencing what that music was all about. I wanted to share these new sounds with everyone and had dreams of walking the streets of my town blasting the latest and greatest hip hop and electro tracks. This was to be only a dream for a long time however as my youth and lack of any income were two massive hurdles to overcome.

This was to change when I began to get part time summer work and managed to scrounge and save just enough for a low spec, but still great looking no-name 3 piece radio. It was just over $100 and it was my pride and joy. This was my first big purchase of anything in my life and it was my leap from buying Star Wars figures to buying music. The sound out of my first radio wasn't great, and it took far too many batteries for me to be able to run it outside as often as I'd like, but this was my 'connection'. This was my most empowering moment as a kid; to be able to give my passion for music a voice that I could share.

That radio got used day in and out, I spent hours reconfiguring the speaker placement for the best stereo separation, then reassembled her back together to take over to a friends house for sleep overs and recording the American Top 40 late on Sunday nights when I should've been fast asleep. I wasn't living the urban street culture I'd idolised for years, but I was incorporating it into my life as best I could. These times introduced me to The Beastie Boys, Run DMC, Grandmaster Flash, Rock Steady Crew, LL Cool J, Paul Hardcastle, The Fat Boys and many, many others. I found myself finding more obscure music shows on independent radio stations that had incredible new music every week and began making tape compilations of my favourite mixes and artists that I'd share with my friends. It was a great time and my expanded working hours after school meant I got to upgrade to a bigger more powerful ghettoblaster.

My new Philips Compo, with Dolby, soft touch buttons and a dancing LED meter became my new partner in the summer of 1985. My father bought me a turntable that year for my birthday, which was my most favourite birthday present ever. I started buying vinyl and making more mixes. I bought a cheap 4 channel Radio Shack mixer and attempted to do crossfade mixes of my favourite songs, usually with very little success. But these were exciting times. The music and the ghettoblaster were one for me. It was like a symmetry of sound, vision and function.

I grew older, began taking on more teenage interests and grew up a bit along the way. The Philips Compo died after a couple of years of intensive use and the music changed. I discovered heavy metal in high school and went down that path, eventually being vocalist for my city's first death metal band and being a part of the global demo tape trading scene. New music came and went, and the older I got the less any new music began sounding new anymore; I'd always go back to that period in the early to mid 80s when the music was so new and innovative.

I guess the older you get the more you appreciate what influenced you when younger and what you let become part of you. The older I became the more I wanted to recapture and reignite those times and began to try and get back to what it was all about. It was always about the ghettoblasters to me, they were always the ultimate marriage of music and audio player. Thanks to the internet and the boombox community on Stereo2Go.com I have managed to live the dreams I wished when I was younger. My collection of ghettoblaster grows and they make their way into my daily life. Carrying them to work blasting the now classic hip hop and electro I grew up with seems to have completed the circle nicely indeed, and every time a young kid asks me what I'm playing and why I'm not using an iPod I always love telling them what the musics all about.

Rocking On In Belmont Australia




I thought I'd post it here before I forgot again as I thought some of you guys might get a kick out of it.



Rock On.
 
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