I've been looking into this some more trying to come up to speed on what might work.
Some volume pots use a linear taper instead of audio/log taper, but after adding the loudness circuit, the linear taper is actually better suited. Looking at this pot I see it's marked 50KB, B meaning linear taper. So, if shopping for a replacement, at the very least it should have a linear taper with or without the loudness tap.
I found it interesting that Joe's volume changed behavior at 3/8 volume. That's 37.5%, or 40%, which is a common loudness tap point. Perhaps something wore down too far on the track there. The tap is an exposed copper pad under the track, and this creates a disruption in the planarity of the track. Sort of like a road bump. And the two side of it could become worn over time from the wiper there. I'm not certain yet where the tap is on the M90 pot, but my guess without looking would be 40%. And, since it's linear, it should be just a bit left of center.
Two pots look promising,
one of which is actually pot-compatible stepped attenuator with s-curve contacts for smooth transitions. One possible advantage with this one is if the tap isn't in the right spot as the original M90 pot, it might be possible to disassemble it and move the tap wire. A
cheaper alternative may be one of the faux-Alps pots from China, which I hear are also stepped and work okay, but may not be close enough physically.
There are guys that have
added the tap themselves, and I think this may help cross the bridge between trying to find one that fits, but also has all of the right stuff going on inside.
I'm not sure it would be necessary to run a conductive trace around the edge to the terminal area instead of just exiting out the back case with the wire right at the tap point, if you use a very thin strand of wire and a careful application of conductive cement right along the very outer edge of the track. It doesn't need to be a beefy wire since this is a high-resistance, pre-amp circuit. Sort of like what
this guy did.