From time to time, I do accept some very narrow specific jobs, such as rebuilding tonal control boards, and other tasks that I have a good sense of what is involved and the time investment required.
But when it comes to tape decks, after 50 years, most decks now have a potpourri of problems that are unpredictable at best. Have you ever taken apart a deck for a simple rebelting, put it back together only to realize you forgot something, so you do it all over again, only to discover it's not working right and ad naseum? Then you wonder how are you ever going to get paid for all this time you've invested? So the request always goes, it just needs a simple rebelt jobs, to which in the back of my mind, I KNOW that decks can often end up being a huge black hole and in the end, it's inevitably regretful.
If you have about an hour or so of time to pass, watch Marks video here, which I think many of you will find some of the things interesting and familiar.
But when it comes to tape decks, after 50 years, most decks now have a potpourri of problems that are unpredictable at best. Have you ever taken apart a deck for a simple rebelting, put it back together only to realize you forgot something, so you do it all over again, only to discover it's not working right and ad naseum? Then you wonder how are you ever going to get paid for all this time you've invested? So the request always goes, it just needs a simple rebelt jobs, to which in the back of my mind, I KNOW that decks can often end up being a huge black hole and in the end, it's inevitably regretful.
If you have about an hour or so of time to pass, watch Marks video here, which I think many of you will find some of the things interesting and familiar.